Hooliganism and the Anarchical State of Uganda’s Music Industry
Kyagulanyi’s transition from a celebrated musician to a political figure posed a direct challenge to the government, which quickly recognized the power of artists to influence public opinion. In a desperate attempt to counter Kyagulanyi’s political momentum, the government embarked on a mission to woo prominent musicians to its side.
Police has always looked onwith indifference while Alien Skin caries out his hooliganism. Recently he raided the head office of NUP and inscribed funny writings on the perimeter wall. Police did nothing about this act of provocation.
This gives credence to the notion that police and government are abeting these acts.
“There is no peace in music i always want war”. Alien Skin once said during an interview with New Vision in 2023.
Uganda Today Edition: Hooliganism and the Anarchical State of Uganda’s Music Industry
The Ugandan music industry, once celebrated for its vibrancy and cultural richness, has been thrust into a state of anarchy, with rampant hooliganism among artists like Alien Skin (Mulwana) and Pallaso (Pius Mayanja) reflecting deeper systemic issues. This troubling trend is not merely a result of personal vendettas but a symptom of political interference that has reshaped the industry’s dynamics. To understand this degeneration, one must examine the pivotal role politics has played in creating divisions and fostering an environment where lawlessness thrives.
Political Meddling: The Turning Point
The entry of Robert Kyagulanyi, alias Bobi Wine, into politics during the Kyadondo East parliamentary by-election marked a significant shift in the music industry’s landscape. Kyagulanyi’s transition from a celebrated musician to a political figure posed a direct challenge to the government, which quickly recognized the power of artists to influence public opinion. In a desperate attempt to counter Kyagulanyi’s political momentum, the government embarked on a mission to woo prominent musicians to its side.
Artists like Full Figure (Nakanguubi), Catherine Kusasira, Ronald Mayinja, Eddy Kenzo (Musuuza), and Butcherman became beneficiaries of state patronage, often under the guise of initiatives like COVID-19 relief funds. This created an atmosphere of favoritism and division, as musicians were either co-opted into supporting the regime or ostracized for aligning with the opposition. Notably, while Kyagulanyi faced a de facto ban on performing in Uganda, his rival Bebe Cool (Moses Ssali) continued to hold concerts unabated, underscoring the extent of the bias.
Rivalries and Hooliganism
The government’s meddling not only fractured the music industry but also sowed seeds of rivalry among artists. The recent feud between Alien Skin and Pallaso exemplifies the chaos that has ensued. During the end-of-year “Enkuka Masavu” event staged at the Kabaka’s palace in Mengo, Alien Skin’s gang reportedly beat up revelers, tarnishing what should have been a celebratory occasion. In retaliation, Pallaso stormed Alien Skin’s home late at night, vandalizing vehicles in a display of vengeance.
Such incidents have become increasingly common, with Alien Skin’s gang linked to a series of violent acts. In Makindye Division, the gang allegedly attacked Nsambya hospital staff and has been accused of snatching phones and assaulting citizens. Despite these allegations, the police have remained conspicuously silent, raising questions about possible protection from powerful figures within the government.
The Role of Law Enforcement
The police, as custodians of law and order, have a mandate to curb such criminal behavior. However, their inaction in these instances suggests either complicity or an inability to act against individuals connected to influential entities. This silence has emboldened hooligans, creating a culture of impunity that jeopardizes public safety.
Lessons from Other Nations
Uganda’s current trajectory bears similarities to countries where gang violence was allowed to fester. In nations like El Salvador and parts of Central America, the unchecked rise of gang culture led to widespread instability, economic decline, and significant loss of life. These cautionary tales underline the importance of swift and decisive action to prevent a similar fate.
A Call for Accountability
The anarchy within Uganda’s music industry reflects broader systemic issues that require urgent attention. To restore order, the government must:
- Depoliticize the Music Industry: Allow artists to operate freely without coercion or favoritism based on political affiliations.
- Enforce the Law: The police must act decisively against hooliganism, regardless of the perpetrators’ connections.
- Promote Unity: Initiatives to foster collaboration and unity among artists should be prioritized, focusing on the industry’s growth rather than political agendas.
- Support Cultural Institutions: Empowering cultural institutions to oversee and regulate artistic expressions can help restore discipline and professionalism.
Conclusion
The hooliganism exhibited by Alien Skin, Pallaso, and their respective factions is not just a music industry problem; it is a reflection of deeper societal and political dysfunctions. Without immediate intervention, the anarchical state of the industry risks spilling over into broader societal instability. Uganda must learn from history and act decisively to safeguard its cultural heritage and the safety of its citizens.
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